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ONE:��I think I remember meeting you at the house of the Comte de l��Estaing with my father, and I hope you will come and see me as often as you can. But let us speak of your father. Where is he in prison? I hope to obtain his release from the citoyen Tallien. I will give him your petition myself, and present you to him.��

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ONE:It was the only safeguard he could have found, as his rank and well-known opinions would have otherwise marked him for destruction.

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FORE:As Saint-Aubin had long been sold, her brother now called himself M. Ducrest.CHAPTER IV

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FORE:

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FORE:��I was of no party,�� she writes, ��but that of religion. I desired the reform of certain abuses, and I saw with joy the demolition of the Bastille, the abolition of lettres de cachet, and droits de chasse. That was all I wanted, my politics did not go farther than that. At the same time no one saw with more grief and horror than I, the excesses committed from the first moments of the taking of the Bastille.... The desire to let my pupils see everything led me on this occasion into imprudence, and caused me to spend some hours in Paris to see from the Jardin de Beaumarchais the people of Paris demolishing the Bastille. I also had a curiosity to see the Cordeliers Club.... I went there and I saw the orators, cobblers, and porters with their wives and mistresses, mounting the tribune and shouting against nobles, priests, and rich people.... I remarked a fishwoman....�� This pretty spectacle to which she was said to have taken her pupils, was, of course, approved of by the Duke of Orl��ans, who made the Duc de Chartres a member of the Jacobin Club, ��by the wish of the Duc d��Orl��ans, assuredly not by mine; but, however, it must be remembered that that society was not then what it afterward became, [416] although its sentiments were already very exaggerated. However, it was a pretext employed to estrange the Duchess of Orl��ans from me.��

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FORE:The marriages of her daughters which had so delighted her ambition, had not brought her all the happiness she expected.Indignant at the avarice which risked the lives of the unfortunate passengers, T��r��zia, disregarding the remonstrances and warnings of her husband and uncle, ordered a carriage, drove to find the captain, paid him the three thousand francs, and returned in triumph with a list of the passengers which she had made the captain give her instead of the receipt he wished to write.

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FORE:In Mme. Le Brun, the most gifted of all, we see a beauty, a genius, and a woman unusually charming and attractive, thrown, before she was sixteen, into the society of the magnificent, licentious court of Louis XV. Married to a dissipated, bourgeois spendthrift, for whom she had never cared; sought after, flattered, and worshipped in all the great courts of Europe; courted by fascinating, unscrupulous men of the highest rank, without the protection of family connections and an assured [viii] position; yet her religious principles, exalted character, and passionate devotion to her art, carried her unscathed and honoured through a life of extraordinary dangers and temptations.

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FORE:With anguish she saw one cartload of prisoners leave, and she trembled every moment lest she should hear the sound of the wheels of a second in the courtyard of the prison.But that she should have been and still be accused, especially with regard to the Duke of Orl��ans, she had no right to complain. After all, those who wish to play the world��s game must play by the world��s rules. Certain ways of acting always cause certain conclusions to be drawn, and what else was likely between a man like Philippe-��galit�� and a fascinating woman he admired, and with whom he was thrown into constant and intimate association, but the liaison every one might expect, and which it is impossible not to believe in.

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TWO:Although not a great painter he was absolutely devoted to his art, in which he would become so absorbed as to forget everything else. On one occasion he was going out to dinner and had already left the house, when he remembered something he wanted to do to a picture upon which he was working. He therefore went back, took off the wig he was wearing, put on a night-cap, and began to retouch the picture. Presently he got up, went out again, forgetting all about the night-cap which [14] he still had on, and which formed a singular contrast to his coat trimmed with gold braid, and the sword at his side; and would certainly have presented himself at the party to which he was going in this costume had he not fortunately met a neighbour, who stopped him and pointed out the strangeness of his appearance.��It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.��

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TWO:A royalist, an emigr��, a Prince; but the only man she never ceased to love, and of whom she said, ��He was her true husband.��

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TWO:Capital letter I

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THREE:The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Com��die Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte d��Artois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.

THREE:This foretaste of the Revolution Mme. de Genlis did not like at all, and she began to think she would rather not be in France now that the plans and friends so lately her admiration were succeeding so well.

THREE:One night, at a masked ball, a young man accidentally in a crowd pushed against a woman, who cried out.

THREE:Nous savons �� n��en douter pasHe signed to the gaoler, who conducted Mme. de Fontenay back to her cell; and then sat down to write to Robespierre.

THREE:For some time the character of Paul had become more and more gloomy and menacing; his mind was filled with the darkest suspicions, even to the extent of believing that the Empress and his children were conspiring against his life; which was all the more terrible for the Empress Marie, as they had for many years, as long as the Empress Catherine lived, been very happy together, and in spite of everything she still remained deeply attached to him.

THREE:

ONE:

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ONE:

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ONE:Peter of Holstein-Gottorp was seventeen; and [127] was no attractive husband for a young girl with an impetuous nature, strong passions, and an enthusiastic love of pleasure and magnificence. He was sullen, tyrannical, violent-tempered, brutal, often intoxicated, and besides terribly disfigured by the small-pox.Of course she thought all these denunciations most unjust and astonishing. Why, she asked, should they call her a ��savage fury,�� and abuse her in this way?

The late Dauphin was said to have regarded with especial affection the unlucky Duc de Berri, who was awkward, plain, brusque, and dull; but the favourite of Louis XV. was his youngest grandson, the handsome, mischievous Comte d��Artois, in whom he recognised something of his own disposition, and upon whom he was often seen to look with a smile of satisfaction.��I am sorry for that,�� she observed, as she gave her cards to the man, ��especially as M. de Valence is my husband.��In vain Mme. Le Brun tried to dissuade her from this deplorable marriage, the spoilt young girl, accustomed to have everything she chose, would not give way; the Czernicheff and other objectionable friends she had made supported her against her mother, the worst of all being her governess, Mme. Charot, who had betrayed the confidence of Mme. Le Brun by giving her daughter books to read of which she disapproved, filling her head with folly, and assisting her secretly in this fatal love-affair.Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.

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